An unabridged, name-dropping
autobiography.
I live in East Tennessee. I have two kids, a really great hound dog, and I have a wife who tolerates my making the pursuit of music my career and lifestyle (I have recently come to the conclusion that, in a past life, I was a very obedient sheep dog; thus I have been rewarded in this current sentience).
I play the bass, mainly. I started out on the guitar, but the first cover band I auditioned for said, "we could use a bass player."
I grew up in places called Morristown and White Pine in East Tenn.
My parents fed me on a steady diet of bass and crappie fishing, The Stanley Brothers, Van Halen, Flatt & Scruggs, W.A. Mozart, The Police, New Grass Revival, Guy Clark, and Townes Van Zandt, among many others. Mom taught me the recorder and I played the trombone starting in 5th grade. We had a family bluegrass band called "Mountain Soul" in which I played mostly guitar, and then some bass. Dad drove us all over East Tennessee with our plywood bass strapped to the roof of our car. One time we drove into a parking garage and forgot it was up there.
We played only the finest backwoods general stores, swap meets, cake walks, Civil War reenactments, volunteer fire-halls, tanning bed salons, crashed Cocke County family reunions (a risky endeavor to be sure), and one massively awkward Seventh Day Adventist church service...I wouldn't trade the times on stage with my parents and brothers for anything in the world. I would trade some of the food though.
I began my "formal" music education in 2001 at the University of Tennessee, which is where I began studying the double bass. I went to school for way too many years and managed to graduate with a degree and a half in Strings Performance and Studio Music and Jazz, though I'll say I've learned more in the last 10 years than I did in the previous 25. I'm grateful to my college bass professor, Rusty Holloway, for the invaluable lessons he taught me about how to learn and perform music, and how to be a team player.
(In the following sentences I will tell you about all the cool shit I've done, and all the places I've been, and the heroes I've met and with whom I've been able to share stages large and small. If you're just as phobic about pretense as I am feel free to stop here).
During college and after, I've been fortunate to travel and play with many different groups all across the U.S. and Canada, Northern Europe/Scandinavia, and Japan. During a tour with the Lovell Sisters Band I had the privilege of playing in front of perennial Grammy award-winning resophonic guitarist Jerry Douglas, and he asked me to join his band in 2013. I'm grateful to Jerry, and thanks in no small part to him I've been fortunate enough to share the stage (or at least sit around and pick) with many of the folks I grew up listening to.
In March of 2017 I was asked to handle bass duties on the Transatlantic Sessions 2017 US Tour, where I had the honor of subbing for bass great and personal hero Danny Thompson. During that tour I found myself accompanying Sir Aly Bain, James Taylor, Jerry Douglas, Alison Krauss, Rodney Crowell, Mary Chapin Carpenter, Roseanne Cash, John Paul White, Sarah Jarosz, Aoife O'Donovan, The Milk Carton Kids, Declan O'Rourke, Karen Matheson, Maura O'Connell, Joe Newberry, Russ Barenburg, John Doyle, James Mackintosh, John McCukser, Michael McGoldrick and Donald Shaw. That was a whirlwind full of amazing music and lovely people. It is really fun to ask for more James Taylor in your monitor.
In 2014 or so I was introduced to Martin Harley by our mutual friend and all-around badass Sam Lewis. Martin and I hit it off and made a couple records, and now I go to England and Canada a fair bit. There's lots of rule following, traffic cameras, and boot/hat fashion advice flowing both ways (oft ignored).
In 2018 we in the Jerry Douglas Band were nominated for a Grammy award in the the "Best Contemporary Instrumental Record." We lost, but I got to add "Grammy - nominated" to the header on my website ( I much prefer the term "Grammy-loser").
In late 2018 I was asked to join the Flatt & Scruggs tribute band The Earls of Leicester. I said yes.
In early 2019 I was asked to once again step into Danny Thompson's huge shoes and perform with the Transatlantic Sessions for the UK tour throughout Scotland, England and Ireland, alongside featured artists Tim O'brien, Molly Tuttle, Gretchen Peters, Cara Dillon and Paul McKenna.
Though they don't likely remember me, I've been able to make music with the likes of Brendon James Wright, Sam Lewis, Martin Harley, Robinella, Hector Qirko, R.B. Morris, Casey Driessen, Larkin Poe, Thom Hell, John Frazier, Matt Menefee, The Whistles & The Bells, Jeff Sipe, John Medeski…and I've been able to play some remarkable venues: The Ryman Auditorium, The Grand Ole Opry, The Tennessee Theater, Bonnaroo, Telluride Bluegrass Festival, MerleFest, Hardly Strictly Bluegrass, StordFest, The Vancouver Island Folk Festival, The Kate Wolf Folk Festival, The Edmonton Folk Festival, New Orleans Jazz Fest, The Blue Note Tokyo, Chateau St. Michelle, Jammin at Hippie Jacks, The Bijou Theater, Rochester International Jazz Festival, and a bunch of others I can't remember right now…anyway, it's been fun, and it's getting better all the time. Thanks for listening, and I hope to see you somewhere. -DK©
(this bio is copyrighted by me, Daniel Kimbro, 2019. Please don't copy and paste it into your newspaper or blog and change the words around again like that one guy in Morristown).